Audio

Student workHouston 2018

Living In The U.S. When You Don’t ‘Sound White’

The complexity of having an accent

Published August 9, 2018

Headshot of Suhauna Hussain Suhauna Hussain
Headshot of Emma Stiefel Emma Stiefel
Headshot of Violet Wang Violet Wang

This is an audio story.

Listen to it below:

A Japanese immigrant has felt isolated from the surrounding community in Ohio and been afraid to speak to her neighbors. A Chinese immigrant raising an American-born kid worked hard to make sure his daughter grew up as a native English speaker, so she wouldn’t face the problems he did. A radio reporter from Hong Kong is a rare example of someone who made it into public radio without a standard American English accent.

What does it mean to “sound white” in America? In the world of public radio, as Code Switch reported in its Aug. 8 episode, this means a Midwestern accent. This way of speaking was proliferated by John Kenyon, a linguist in Cleveland who wrote books on pronunciation. Broadcast journalists started using his books, and that became the way people were taught to sound on air.

How we receive language is emotional, tied to cultural and ideological norms according to Amelia Tseng, a linguistics professor at American University. For example, social perceptions of immigrants could potentially influence the way someone hears an accent.

Linguistic stereotyping and accent discrimination is real and documented.

John Baugh, a black professor at Washington University in St. Louis conducted a study in 1999. He called hundreds of real estate agents and found that they were less likely to offer him properties in white or Hispanic neighbourhoods when he used his black voice as opposed to when he mimicked a more white sounding voice. He invented the term “linguistic profiling.”

A 2013 working paper from the University of Pennsylvania examined Standard American English accents, against Asian accented English and Brazilian Portuguese accents. It found that participants recorded generally negative evaluations of Asian accents.

When someone doesn’t have what many consider the default American accent, how does that affect their life on an individual level? In this podcast, we explore the experiences of three people and how their accents have shaped their lives.

Part I: Kayoko Hodges

Kayoko Hodges knew almost no English when she immigrated to rural Ohio five decades ago. Her conversations with her neighbors were plagued by misunderstandings and requests for her to repeat herself over and over.

Kayoko Hodges (right) with two of her grandchildren. Photo courtesy of Lexy Harrison.

Some places was mean. They’d make face and stuff like that, and then not be helpful. Two, three times I’m asking for something and then they don’t understand, about two, three times I’m repeating and then they walk away.

— Kayoko Hodges

Part II: Katy Jiang and Mingtao Jiang

When Katy Jiang’s dad, Mingtao Jiang moved to the U.S. from China 30 years ago, they made a decision many other immigrant families make: To mainly speak English at home. Mingtao Jiang wants to make Katy Jiang’s life comfortable. Being a Chinese kid in the US is hard enough.

Katy Jiang (left) and Mingtao Jiang (right). Photo by Violet Jinqi Wang.

Your lunch is different. Your friends, they all have sandwiches. You take out what? Rice, Baozi, Jiaozi. Sometimes you don’t smell good. So things like this we try to make them feel comfortable.

— Mingtao Jiang

Part III: Alan Yu

The sound of American public radio is notoriously homogenous white. It’s rare that people who don’t speak with a standard American English accent make it on the airwaves. Alan Yu, who grew up in Hong Kong, and talks with a slight British accent, doesn’t speak with a standard American English accent. He says this is why he hasn’t experienced barriers that others trying to enter broadcast journalism might.

Alan Yu gathers tape on a farm. Photo by Dani Fresh.

We clearly see whiteness has become the default as to what you think a broadcast voice sounds like.

— Alan Yu

Authors

Headshot of Suhauna Hussain

Suhauna Hussain

University of California, Berkeley

Headshot of Emma Stiefel

Emma Stiefel

Minerva Schools at KGI

Headshot of Violet Wang

Violet Wang

University of Wisconsin

Read more

Audio

A Community in Healing: Monterey Park, 6 Months After the Shooting

A Community in Healing: Monterey Park, 6 Months After the Shooting

The power of Asian American art to heal and bridge generational gaps

Students in San Joaquin county struggle with digital inequity

Non-white English teachers in Asia face discrimination

Houston 2018

Mind the gap: Uncovering pay disparity in the newsroom

End the stigma: The impact of mental illness in AAPI communities

Refugees’ stories: Confronting financial and emotional burdens in their moves to the U.S.

“It gets better,” but for Asian Americans, coming out can also get complicated

Live from Houston 2018

All student work

Apply

Become a fellow or editor

Applications for 2024 are closedFor updates on the cohort and 2025 applications, follow AAJA on X and Instagram and subscribe to the AAJA newsletter using the link below.

Subscribe to AAJA’s newsletter

Donate

Support our impact

We need your help to keep providing valuable opportunities to young journalists and making an impact through our stories.

Support Voices

Partner

Work with us as a brand

To sponsor this program or learn more about AAJA’s student programming, reach out to us at programs@aaja.org.

AAJA logo

The Asian American Journalists Association (AAJA) is a membership nonprofit advancing diversity in newsrooms and ensuring fair and accurate coverage of communities of color. AAJA has more than 1,500 members across the United States and Asia.

aaja.org Voices home Student work People About Apply Donate